Der Teppich ist von mir, um arrangiert von Elemental, der auch noch einige melodiöse Piano- und Bass-Läufe eingefügt hat.
Der Flötentrack ist von mir, leider mit Defiziten, da ich nur noch selten dieses Instrument spiele. Deswegen ist das Instrument mit einer MIDIspur gedoppelt, die eine Oktave tiefer gesetzt wurde.
The carpet is by me, rearranged by Elemental, who also added some melodic piano and bass runs.
The flute track is by me, unfortunately with deficits, because I rarely play this instrument anymore. That’s why the instrument is doubled with a MIDI track, which was set one octave lower.
Der Dom des Heiligen Sava (serbisch Храм светог Саве Hram svetog Save; serbisch eigentlich Heiligtum des Heiligen Sava oder Tempel des Heiligen Sava)[1] ist ein im neobyzantinischen Stil gehaltener monumentaler serbisch-orthodoxer Kirchenbau in Belgrad. Mit einer überbauten Fläche von 4830 m² ist es eines der größten orthodoxen Gotteshäuser der Welt.[2] Mit einem inneren Kuppeldurchmesser von 30,5 m schließt der Dom an die Kuppel im direkten baulichen Vorbild der Hagia Sophia an. Der Dom ist als klassischer Zentralraum mit vier Konchen ausgeführt und dem ersten serbischen Erzbischof und Nationalheiligen Serbiens Hl. Sava (1175–1236) geweiht. Er wurde auf dem im südlichen Belgrader Stadtzentrum gelegenen, weithin sichtbaren Plateau des Vračar, einem 134 Meter hohen Hügel, an der Stelle errichtet, wo Sinan Pascha 1595 mutmaßlich die sterblichen Überreste des heiligen Sava verbrennen…
2006 hatte ich einen riesen Crash und so sind ein Haufen meiner Tracks leider für immer verloren gegangen und die Kopien die ich auf DVDs gemacht hatte waren nicht mehr lesbar Nun habe ich von der Frau meines verstorbenen Cousins, die CDs, die ich für ihn gebrannt hatte wieder bekommen. Die Qualität der Tracks sind nicht besonders, da ich 1998-2002 noch nicht soviel Erfahrung hatte, wie man einen guten Mix macht
This is the newest release in the PPR series of “introducing accomplished german music artists to a wider audience”.
Although Markus Roth is by no means a new or unknown name in his native prog scene. As keyboard player and occasional guitarist he is a member of not one, but two bands, both very different in style: Horizontal Ascension (melodic prog/rock) and Force of Progress (instrumental prog/metal/jazz fusion).With his third outfit MARQUETTE, he combines the styles of the other two bands, giving a harder edge to the tracks featuring vocals and reducing the number of notes played in the instrumental tunes, thus making Marquette more accessible to a “mainstream” prog audience. While the 2015 debut “Human Reparation” was a two-man project with a number of guests, INTO THE WILD has become more of a group effort, with Markus Roth still composing all the songs, but vocalist Maurizio Menendez providing lyrics.
INTO THE WILD was inspired by the life of Christopher McCandless, who travelled through the US with minimal equipment and no money, in a quest to become one with nature, but found a tragic death in the Alaskan wilderness. Story and music stand as „an example of the consistent search for oneself, for one’s own identity“ (Markus Roth).
Songs / Tracks Listing
1. No Answer (6:53)
2. Seven Doors (14:02)
3. Criminal Kind (3:47)
4. Alexander Supertramp (6:13)
5. Sensuality (5:24)
6. Portrait of Men (3:36)
7. Poisoned Homeland (4:40)
8. Into the wild (19:10)
Lineup / Musicians
Guitar and bass: Sebastian Schleicher
Guitar: Reiner Wendland (RIP my friend)
Drums: Dennis Degen
Vocals and lyrics: Maurizio Menendez
Sax on „Seven Doors“: Robin Mock
Trumpet on „Into the wild“: Art Lip
Keyboard and composition: Markus Roth
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